• Charles_darwin

    Darwinism is probably one of the best pieces of thinking any human has ever done. Like the best ideas, it seems so beautifully simple now. The basic of successful species surviving thanks to evolving better to suit their environment – at the expense of those that haven’t- can be applied to far more than biology. You see it in social systems, economic systems and, dare I say, brands. But that doesn’t mean it’s prefect. Nature doesn’t necessarily know better.

    Evolution still comes down to luck- genes will mutate in a certain way or not, and it certainly doesn’t mean that it’s as good as it could possibly be. Nature sometimes cocks up. Like the fact that sunflowers brilliantly follow the path of the sun, but in a perfect world, would have evolved legs to walk out of shadow, or the fact humans had to develop a much narrower pelvis to walk upright, which in turn means that childbirth is harder and our young are born at a much younger and vulnerable age. There’s the fact that our retinas have blind spots the mind fits in. For the humble male, our reproductive organs are in a ridiculously vulnerable spot, as anyone who’s been kicked in the balls in the playground will confirm…and that’s thanks to evolution putting sperm outside the body for a cooler temperature (which makes for embarrassing self consciousness in swimming pools no?).

    So when we think of evolving systems , it’s very dangerous to think of leaving things be, be that a biological one, or a socio economic one. When you see a shiny new development, maybe it’s better to stop admiring it and wondering what’s WRONG with it. Consider hydrogen cars, coming to save the fragile atmosphere. The by product is neutral water vapor. ACE!

    But hold on, isn’t water vapor is actually THE most effective greenhouse gas? Doesn’t a warmer planet actually mean the atmosphere can hold more moisture? More rain? More flooding? More clouds? I’m not a climatologist, but I do believe that new and better doesn’t mean perfect.

  • Okay, here’s the delayed update. Like I said before, seriously well done everyone. Both in the quality of your thinking and the manner you deliver it in these documents.

    100_0819

    Two criteria have been applied to these entries. Firstly, the thinking itself. Does it answer the original brief? Is it claimable? Is it interesting?

    Secondly, does it set a juicy creative task? Can a creative see lots of ideas from it? Does it make Stuart want to pick up his layout pad? I wasn’t asking for propositions mind you, but if you’re not a great proposition writer like me, framing a task really helps, and many people prefer task based propositions anyway.

    So……..

    1. First up is Tom’s entry. Download microsoft_powerpoint_dfs_tomdavis_readonly.pdf.  It’s concise and simple. The brief was to set a creative task that would help DFS defend against the generalist retailers and you’ve highlighted the problem as people needing something more important than convenience and value. And I think you hit the bullseye with reminding people about sensation. It’s a great area of attack – generalists cannot compete with the opportunity to browse, touch, feel and smell. Much of retail is about the experience you’ll get, and you’ve focused on one that’s not copyable. It also neatly takes DFS out of the quagmire of furniture retail ads that focus purely on looks and price. That fact that the average person spends 12 years of their life on one neatly rams the importance of comfort and fell home.

    But then I’m not sure about the sex angle. For a mass market brand, maybe it’s too polarising, but in any case, I wonder if asking the creatives to dramatise the ‘sensation’ would be enough. Sensation feels true and claimable, I have a concern that sex could be a bit gimmicky. I’m not saying that making the product exciting isn’t a good thing to do, but maybe sex is too limiting a playpen.

    As for a creative being able to work from it, Stu thinks sensation is ‘rich’ enough to get his teeth into. But finds it hard to start writing about sex AND sofas. The idea of a ‘what turns you on’ survey actually seems more creatively interesting……largely to do with the idea of personalisation. What feels right to you will be intensely personal, and that feels more fertile territory.

    So full marks for the logic and the clear delivery, but maybe sex is one step too far.

    2. Download microsoft_powerpoint_ethompson_apsotw_dfs_87072_readonly.pdf Eden, well played on a great document. It flows well, builds up to the points you want to make, but, and bear in mind I have a bias for more visual communication, there are a lot of words to take in. I wonder if more pictures would say the same thing more powerfully?

    Anyway, great use of the footprint model to highlight what the competition stands for, and what they leave out….not creating a bond. You very clearly set out the challenges we have to overcome. But then I want to see a bit more about HOW DFS creates the bond that the others do not. I really like you’re brand positioning for DFS, it’s great for defining a tone of voice, a way of delivering the message, but it doesn’t help a creative to understand what the creative TASK is, except when you do the task, make sure it’s this tone and manner. I find myself wanting to find out HOW DFS develops a relationship with you.

    I can’t fault the logic that people want some insurance when they make a big purchase, but I’m not convinced that aftersales is the right point to leverage. Quite right, there is no bond with a Tesco sofa, but maybe the way to attack this is to dramatise how you have the space and choice to bond with your choice BEFORE purchase. Isn’t something you’ve fallen in love with worth waiting for? Maybe it’s as simple as looking at that relationship, bond angle you’ve focused on and differentiating DFS sofas as things to fall in love with.

    Creatively, Stu thinks he can start scribbling right away, but soon stops as he wants to know a bit more about WHY the relationship continues (you could tell him to look at the DFS website, but it always helps if you’ve done the work for them). And he makes the point that is the end we’re trying to make people want to VISIT and BUY at one place more then another. He finds himself wanting to do more stuff about what’s it’s like when you’re choosing. A big plus is the positioning, it may be additional to the brief, but he can ‘feel’ how to deliver the ideas. Well played.

    3. Download microsoft_powerpoint_dfspres1_readonly.pdf  Dave Mortimer’s thinking is watertight. He quickly compares DFS and ‘the enemy’ in two slides, but then the summary is so good David, you may as well have just done that! Edit, precis, distill. I really like the way you’ve isolated a distinct observation about the market at this point.  People buy less new furniture the longer they live in a house, but they spend MORE, the living real is social hub of the house and families are less likely to move once they’ve got children in school.

    From this we have a killer task…..essentially, show families who can’t move house that the perfect sofa is like changing your home without changing a house. There’s a lot going on here, not least when you add the cultural bit that the UK housing market is a bit uncertain right now. It shows how spending a bit more is worth it, it acknowledges the pivotal role of the sofa in people’s lives, and it locks out the competition. Generalists can sell impersonal commodities, but DFS can sell you something far more personal and important. Splendid.

    The only concern I would have is really focusing on how only DFS can find you that perfect sofa through it’s personal, customised approach, but that’s just nit-picking. Stu certainly thinks so. He didn’t have much to add beyond admiring the smart thinking and wanting to scribble. It’s one of those idea that has simplexity….really single minded, but with so much going on.

    4. Download microsoft_powerpoint_dfs_july_assignement_readonly.pdf Dinko and Zeljko cut right to the chase, or nearly. The message on their first slide is a powerful start, but I have to read a bit too much to get there. But pedantry aside, they assert that the right sofa takes time and effort to find, butthis is what modern people cannot spare. This is good, it’s getting to the heart of what’s going on in people’s heads and hearts. This sets the scene for how generalists fit in…..it’s absolution from the difficult process of getting something right, much easier to get something generic and disposable – turn high involvement into low. The thinking is developing like a dream, in fact it’s so good I’m getting annoyed you’re clouding it with so much detail!

    Their solution is lovely – show that the easy option isn’t easy, since you’ll just be doing in more frequently. There’s a lovely truth in this.  I searched for the perfect pair of jeans for ages, buying cheap ones that fit on the day and soon lost their shape. I spent a lot on two pairs last year, and never looked back. AND take the pressure off by offering help at every stage. Again, it’s so nice you just have to say it simply, it’s great attack on the generalist competition. The only thing is, I struggle to decide which one to go with at this stage, and I’m worrying which one to choose. Stu’s saying that it’s stopping him start, since he’s not sure what to start with…….BUT he really wants to start with the first direction, exposing that the easy option isn’t that easy.

    Then I get confused. They suggest a creative idea, in the hope that ‘they come up with a better one’.  You call it laziness that pays off’. At this point we’re wanting you to just give us a task (and let us know which one!) We’re a bit confused since the previous slide brilliant;y persuaded us that laziness DOESN’T pay off! We get that you want people to know that DFS isn’t hard work, but at the same time, you want people to know that copping out at competitors just creates more hassle in the long run.

    Then you lose us with a series of ideas that are very detailed. Some are great, like the personal photos one,and lovely you’re going beyond communications ideas into thoughts that can shape the business, but WE DON’T KNOW WHAT CREATIVE TASK WE’RE DOING!.

    It’s a shame because that thought about the easy option ending up harder was truly great. We really wanted you to follow through. That’s the bit Stu wants to work on, and thinks it’s fertile territory. We’re looking for a task that asks is to show that when something’s worth doing it’s worth doing right.

    So lovely thinking, just work harder on refining it and delivering as simply as you can. 

    5. Download microsoft_powerpoint_abudddfs_obj.pdf  Anitra’s effort starts brilliantly. When it comes to presenting ideas, if you start well, and end well, the middle is pretty much unimportant. This starts brilliantly. It’s a truth we all recognise, and it’s a really nice angle on the fact that you sit on a sofa a lot. And the good stuff continues. It’s an emotional purchase, other people’s opinions on ‘my taste’ matter.

    At this point, two slides, you think you know what to do, Stu mentioned that this was enough to get going, but Anitra isn’t done yet. ‘Make sofa customisation a mark of personal authenticity’. And then there’s this bit, which is a great proposition (nicely slipped in there)…..your life isn’t generic, your sofa shouldn’t be either. Seriously good. I find myself wanting to read a full creative brief to see what else Anitra gets up to, Stu just wants to get going.

    6. Download microsoft_powerpoint_dfs_readonly.pdf  Roop does a great job of keeping things short and sweet. There’s no need to go into the background in such detail though, couldn’t this be done by one sentence maybe? Take the time to write even less. You do a great job of showing the sofa in context. Selling an object usually means going up one level and looking at the environment it’s in. Like David, you show how a living room is a multi-functional hub of the modern home. This is good.

    But then you make the leap that since DFS is number 1 in the category, they can discuss category defining things. namely transforming living rooms.

    Now, maybe I’m being a bit too hard, it’s true that leaders should lead, but I question if anyone would swallow this since DFS have never assumed leadership before. Like I said in the brief, previous communication has all been about discount, I suggest they need to EARN leadership first.

    I agree that generalists can’t claim this on any level, so it will set DFS apart, and the the entertainment zone’ task in interesting. Indeed, Stu can create ideas from this very quickly. However, he’s an objectionable sod and questions thinking at any opportunity. He thinks this is more ‘image up’ branding, will of course develop a relationship with DFS. But I agree with him, maybe we need to talk less about category generalities if we want to attack our enemies, and more about what DFS ACTUALLY DOES for you that they don’t. We don’t really know any more about DFS that would convince us to shop there, we just feel a bit warmer about them.

    But, like I said, well delivered, good thinking, but is seems more appropriate for a brand focused campaign, rather than something with a specific tactic behind it.

    7. Download microsoft_powerpoint_apsowdfs_readonly.pdf Finally Anbu has relied of pure words for his entry, and kept if nice and short too. He starts by reminding us that DFS probably has no identity in people’s heads, thanks to it’s history of discount, hard sell ads. And swiftly moves on to tell us that the opportunity is DFS’ customisation. He succinctly tells us that people need inspiration, direction and guidance, and in the end, need someone who will take the time to deliver these needs. So we have the neat objective that DFS is the only place where you can get customised sofas. This is all fine and I love the speed and simplicity, but at this point is feels a bit flat and a little like a re-write of the brief. But then, we have this lovely end…..’Yours, not ours’, which immediately locks out the commodity based proposition of the generalists with the emotional benefit of the customisation already discussed. You’re a great proposition writer Anbu, but being a pedant, is was the TASK we wanted.

    That said, nice quick delivery, nice thinking, but it’s the end that makes it so. Well done.

    SO! Conclusions. Thanks for taking the time to do this everyone. You’ve all worked hard, and it shows. In every case, there’s some great thinking that will lock out the competition like we asked, and a task in there that sparks of lots of creative ideas. Seriously good, there will be some comfortable senior planners out there a little less complacent.

    As general feedback, I’d say that it’s really important to edit as much as you can. Nearly every entry was short simple and looked like it had been pruned. But every single one could have done with a little bit more.

    It’s hard to pick a winner. We’re looking for something that will have maximum effective, spark really great, interesting creative work and is delivered well. The delivery thing is important, for creatives and clients, trust me.

    When you factor all that in, while everybody has done an excellent job, it’s between Anitra and David Mortimer. Both deliver well, both  have a clear idea (others had either ideas that were just a little less interesting, or buried them under too much detail) and both have made some sort of leap. With Anitra, we have very culturally relevant idea of being an individual, something a generic, off the shelf retailer cannot claim. It makes that customisation, hand made stuff emotionally and culturally relevant. David has a an idea that redefines the category. Really great thinking.

    David just wins. And only because his idea is a bit more useful to people. Anitra’s task will provide a strong emotional defense and create a strong, new connection between the sofa market and being recognised, which is a fundamental human need-all based on a truth about DFS that no one else can claim.  David takes the same truth but pushes it just that little bit further by providing a compromise between not being able to move and feeling like you have a new house. This sheds new light on the category that just isn’t there right now.

    We’ve changed our minds about ten times, but in the end, while Anitra’s idea is more about DFS, and lets different people translate it according to their own circumstances, David’s idea is just more useful to people and a little less common. The personalization card is great one to play, but David’s idea is unexpected, and maybe a bit more engaging and in tune with real issues facing real people in their real lives. And to boot, when the sofa means that much you need to get it just right…..so where do you go?

    So David, well played. You get a prize, which is Paul Arden’s Whatever you think, think the Opposite.

    That’s it. Don’t agree with our analysis? Have your say in the comments. Come one, come all. And hard luck Anitra, you made it damned hard to choose.

  • We’re off for the annual August pilgrimage to Cornwall. Back in a week.

    I promise to feedback on the School of the Web stuff as soon as I get back, and there will be some more of the planning basics stuff too.

    See you later.

  • 100_1948

    It certainly is. After promising faithfully that I’d get back to everyone on the School of the Web stuff, I have to admit defeat.

    I’m really sorry, but things are just getting away from me this week, not least since I’m on holiday as of Friday night, and fates always conspire to make sure you leave needing one. So I promise I’ll get back to everyone the week after next.

    On a more positive note, there have been tons of entries and the standard is eye wateringly high. Seriously, well done everyone, every entry has a great piece of thinking in it. Of course, this just makes it more embarrassing that I cannot meet my promises, but if it’s any consolation, you’ve all made me fear for my job. 

  • 100_1796

    Jonathan emailed me a meaty little question a couple of weeks ago. In essence, is brand positioning useful? Is The Ries and Trout model out of date? Should they be static or fluid? And is it any use taking clients through the pain of one?

    It’s really good to ask fundamental questions like this – you start answering, thinking it’s going to be easy, and you find your logic unraveling right there in front of you. A bit like when someone asks you discuss the importance of brands. So thanks Jonathan, it’s good to ask yourself hard questions like this sometimes.

    Here’s how I responded. It’s not edited, since I quite like watching where my train of thought went. (And by the way if you want another, more, ahem, succinct take on positioning, ask the ever generous and brilliant Rob Campbell)

    "Can’t resist this damn you.

    Taking it bit by bit……..positioning is a bit of a dirty, and misused word. Maybe only second to the word ‘brand’. Many people use the word ‘positioning’ for very different things.

    In essence, I think it’s still occupying a place in your category that someone else does not. But in an age when most stuff is pretty much the same, that place is in the MIND (and maybe it always was). That’s what Ries and Trout was about, and it’s still relevant. Thanks to the complications in media planning and engagement now, it’s doubly so.

    And to be honest, I find market mapping is still the best way to start this. Sometimes, just mapping where people fit in the category is enough… ……….

    ………..but once you have that logical start, by and large it’s better to map it according to what people actually think about the brands in that category and what they like, dislike about them. That means that you position yourself, but you’re also positioning the type of customer you’re after and what they really think and feel.

    This also allows you to decide to focus on strengths, or work on your weaknesses. Alfa Romeo’s work on the 159 right now is great. They know the brand is loved by some for its sheer Italian style, but some won’t buy because of reliability issues. A brand with that heritage cannot reject it overnight, so they play to strengths by talking about how reliable the car is, but acknowledging that you’ll only use that as a justification, you’re STILL just buying its sheer beauty………..

    That’s why I find your question about GQ or Ipod or anyone else having a positioning is so valid and so important. If you ask anyone outside the marketing bubble where these brands are positioned in the market, they couldn’t’t tell you. If you ask them why they LIKE them, that would be different. Just like if you ask someone where the Simpsons is positioned in the TV market, they’ll struggle (sitcom cartoon for adults AND kids?), but they can tell you how much they love the fact the whole family enjoys it. Or people will say they love the way their Ipod looks and how easy it is to use. You need to follow THEIR logic and work outwards from there.

    That can take you beyond both rational ideas, and the emotional brand image/emotional brand essence stuff people are seeing through these days. That stuff isn’t worth the effort.

    Occupying a place in people’s heads is still the goal, but even an emotional place isn’t quite enough. Once you have this area, that’s where you start to apply some cultural magic, and here’s where I’ll bring in some examples.

    Like Yakult. There’s young family, fun brands like Muller, some based on flavour, some based on science,  even a Mumsy one. On a basic level Yakult is the one with the history and the heritage. But really, it’s positioned on a deeper cultural idea. They’ve realised that the proliferation of all those brands is confusing to the average punter, just as health in general is a bloody minefield. So Yakult is really positioned on down to earth sense and simplicity. The fact is that it’s the bacteria that matters, the idea is something that makes fun of all that needless, overblown complication.

    Take Lurpak. On the face of it, it’s positioned as a quality ingredient. But the idea is much bigger. Life is complex, time is precious. Healthy eating isn’t simple either. Nor is cooking well. Nor is ethical, organic living. There is so much advice out there, you don’t know where to start. Lurpak makes things easy for you by championing good quality food, and ingredients as the blindingly obvious solution. It’s THAT easy. Even losing weight is easy in Lurpak world……..don’t sacrifice taste, it’s easy, just have slightly smaller portions.

    Some work I’m doing with a small independent coffee chain just needs to be a smaller alternative to a Starbucks or Cafe Nero. On the face of it, it’s about a more personalised service, but the real brand idea is about recognising the importance of small communities. Our audience tends to dislike the way their high streets have become plastered with the same brand names – and like stuff to be more local. They know, and so does the brand, that the best way to look after yourself is to look after others first.

    All of these brands have a clear raison d’etre. But what makes them work is strong cultural idea. They have clear position in the category, a clear spot in the consumer brain – a clear vision………and they get there with a strong cultural idea.

    The cultural bit, the voice is hard. How do you make it instantly relevant and likable? Much of that is doing it through lots of little ideas that add up to one big one, held together by an authentic voice……..just like every episode of Corry has it’s own little story, amidst a much bigger plot that evolves and changes over time.

    Take Heroes – that US TV series I seem to have fallen in love with. You can see that it was sold in as something totally new in the market – ‘comic book stories for adults’, with all the realism and complexity they’re used to thanks to Lost et al. But real people just decide if they like it or not – and if they don’t, they’ll switch off, or watch something else. A positioning works BEHIND what people see, think and do. That’s the voice.

    Thinking about brands, people don’t buy a status symbol image anymore, they buy into a set of values……….that HAVE to be authentic. Just like Heroes, or Corry have characters and situations they can relate to, so do brands.

    (Just as an aside, I think much of the confusion in our industry lies with new clever terms that don’t really mean very much at all. Brand journalism, mantras, connection ideas, wikis blah, blah blah are usually very clever ways of illustrating a clear brand vision, or doing basic channel planning. Naturally, the rules of engagement have changed, so how we engage needs to change, but the basic tools are really not that different). _

    So……….

    Positioning is useful if it’s done right, but don’t confuse it with a brand vision, promise, voice or whatever else you want to call it.

    Market maps in the traditional sense are okay, but it’s better to map what’s going on inside people’s heads and hearts. A friend of mine calls this working out the ‘emotional logic’.

    Then you work out the brand voice………and I would base it on a cultural idea, but it depends on the type of client you have.

    I delve right into the company. I Drill into the consumer culture, and find a strong connection. You know you’re onto something if you can connect two things that exist in people’s heads in new ways. Like connecting beds with the need for ‘me time’, or Nike connecting technical sports equipment with personal empowerment.

    All that brand journalism, connections planning stuff is really a clever way of saying you need to strong, flexible voice that can work across lots of media and objectives. Something meaty. I use three methods. Each is a useful ways of bringing clients into the process.

    1. Create a brand book, full of observations and sentiments, things the brand would do, or say in given situations on different subjects. Involve the creatives, involve the client if you want. If you get this right, you’ve got all the flexibility you need. For presentations before it I get reference, lots of it. Pictures of the kind of people you want to influence, sentiments and images of people and ‘things’ that represent what the whole idea of about. I’m working on an online appliance retailer, that makes the whole experience quick, simple and easy. The observation in that people don’t care about these things until they break down, and want to go back to worrying about other stuff. It was sold with a picture of a kettle and what happened when it broke down here (70 people without their first cuppa, nasty).

    1. Some clients don’t have the vision for this stuff. But you still need something meaty. Most models are bollocks and just get in the way, but I find a brand footprint scientific enough for clients and flexible enough for good, flexible work. Based on the marriage of consumer and business insights………..

    Public is                                    Public means

    Doing what we say                     Genuine                                                

    Getting the job done                   Energetic

    Being true to yourself                 Open

                

    1. A ‘most ambitious goal’ is brilliant catch all that captures position, vision and even the beginnings of tone all in one. It’s a sentence that describes what would happen if the brand ruled the world. Like IBM’s ‘A PC on every desk’. Because you’re always working to it, and it’s virtually impossible, it’s never out of date. The goal of strategy is to work out what you need to do NOW to get there.

    In the end, the usefulness of something long term is that strategy becomes easier. Instead of re-inventing the wheel every time, it becomes , ‘How can we use this long term brand to solve this problem we have right now’.

    And one final point. Static, limiting brand ideas are a waste of time. I’m into economic theory big time, and most economics they teach is wrong. It’s the same with marketing. There’s this mad assumption that you should stick rigidly to an idea and it’s just not like that!. Markets are always in flux, culture always moves on, so should your brand. Brands are used well when they have clear voice, when that voice, that philosophy can adapt as it markets, cultures and people move along.       When you get that right, it’s well worth the effort.

    If you stick to a rigid brand onion, or gap in the market that has no relevance to the people who buy from it, it really isn’t.

    Hope that helps. Sorry it’s long, but you didn’t pick a simple subject!

    This is a good subject, I may blog on this!"

    So I did………….

  • Marcus has started an ideas company. After adventures into the meat bracket, alter egos and even the afterlife, you don’t need me to tell you that he has a singular way of thinking about things. Marcus is one of those people who’s able to look at the world in a different way to most, this will be interesting.

    Just in case you need any convincing, have a look at how he’d take on Starbucks.

    Genius.

  • This morning was tough. Slight hangover, the fact it’s Monday and a particularly hard little problem to crack made it so.

    Sometimes all the information’s there, you know it should add up to something, but the connections just will not present themselves. I got frustrated with it on Friday afternoon and it kept popping up in my head over the weekend. By this morning it was fear. What if it doesn’t come? What will I tell them? Am I really any good at this planning lark?

    I’m the kind of person who’s always racked with doubt, I like that, it keeps me sharp and hopefully a bit humble, bit it does make things hard now and again.

    I get that before every new project, that tension between the thrill of something new to play with and the trepidation of maybe not cutting it this time. It’s invigorating and scary all in one go. That’s why it’s such a relief and yet such a rush when something finally clicks in your head and it all falls into place. You’ve pulled it off again, you can rest easy now. It happened this morning while I was warming the tea pot.

    100_2801

    But that’s a poison chalice too. I’ve no data to prove it, but I’m sure the feeling of winning is less intense than what happens when you lose. It’s nice to do well and win, but the feeling soon fades, and you soon have to start all over again. But failing, losing……. when I lost at swimming, it hurt for far longer than the intense pleasure of winning.

    That’s why getting a solution is so bitter sweet to me. No more worrying, no more impending sense of doom, no thrill of the chase. The end is never quite as thrilling as the work you do to get there. Or at least it won’t be until I lighten up.

  • Cutting back on soft drinks can aid weight loss……….

    Penn State University

  • Entries are in, thanks everyone.

    Since I’m on holiday next week, I’ll make sure feedback is posted by Friday.