• I know a little about golf as a sport,I even play (very badly) occasionally – more of a social thing than an attempt at sporting glory, but I do know a fair bit about sport.

    I'll never understand thought why someone, obviously some sort of brand doesn't explode the conventions of the sport. If you ask most young people what they think of golf they'd probably say, 'Boring' 'Elitist' 'Slow' 'Middle class' 'Old fashioned' 'For the country club' and 'not for someone like me'.

    I know of course that cost of Golf makes it elitist, and brands make a fortune out of well off, paunchy men spending hundreds on equipment, not to mention the daft clothes – but imagine the volume out there with younger males.

    Imagine if someone could make Golf cool? Like Nike did for tennis (trust me, in those days this was cool):

     


     

     

    And there's still stuff like this….

    Not forgetting the women….

     

     

    Tennis was incredibly popular in the late seventies/early eighties. This tie-break did more for the game than anything else (1980)….

     

    But it wasn't cool. It took some personalities and great communications ideas to make it thus.

    Why doesn't someone do that for Golf? Why not champion a version of Golf that's inspiring? Why not champion a personality who people can identify with? And go beyond mere branding and DO stuff – authentically bring Golf to as many people as possible. In short, in authoritarian, conservative sport why not rebel?

  • UP-NORTH-3D-LOGO-SMALL

    Once upon a time I thought this blog would be all about what it's like being a planner in the North of England – the experiences of doing a job outside of any of the famous or common places to do any form of good brand communication, let alone proper strategy for it. It didn't really happen, it became about swimming, cooking, having kids and maybe the odd post about doing the planning basics.

    Quite right too, that's what I'm interested in, even if you're not. But maybe it's worthwhile throwing out some pointers to what it's like doing this job around here.

    In case you're wondering, planners have to earn their keep wherever they work. Suits and creatives can get along quite happily without planners, we have to prove our worth. If you don't like that, tough, it's really how it is. Even in corporate cultures that revere planners, you have to earn your spurs on an individual basis. That applies to big budget clients and agencies, which mostly exist in London if you work in the UK. Outside of this, you mostly get to work on second tier brands, challengers and stuff that isn't above the line…and then you really need to earn your place.

    Curiously, as 'advertising' gets squeezed, it gets consolidated more and more into London – and gets far less innovative. I find this perverse, since it needs to earn attention and blur into other media more than it ever has done before – digital IS the media more and more, TV or no TV. Instinctively, agencies outside of London do the integrated thing better, they've had to do it for a lot longer. But it's true their thinking is less sophisticated, they're less at the cutting edge.

    Some of that's geography- I've been spending a lot of tim at Mother recently and they make the most of living in London, breathing in culture and breathing it out, but that's not all good – London is not Britain, and certainly isn't the world, down-to earthiness can really help.

    That said…my God! Regional agencies make too much of being nice and chummy and full of common sense – clients want to be excited and think their agency is cooler then they are. Read the comments in The Drum and what you'll see is a big massive chip on each shoulders and the worse kind of inverted snobbery – creatives thinking it's still 1985 being the most common theme.

    Much of the sophistication and rigour comes from planners – most people don't appreciate that the Gorilla came from rock hard quant analysis PLUS amazing creativity – and was steered through proper FMCG pre-testing. Planners did that. Celebrate Juan Cabral if you want, but appreciate the planning that got it through research.

    Planning outside of London is a rare thing. There are few planners, let alone departments. Some of that is shortsightedness from the agencies, who are too used to slack thinking (and slack work) but also from clients who sometimes don't have the budgets but mostly don't have the culture to appreciate what planners do.

    Anyway, with that all in mind, here's ten things to think about if you want to plan in the UK, but outside of London:

    1. Get good at digital. Even if you're at one of the few places that do significant and good above the line, your budgets will be squeezed and you'll need to know how to apply thinking to digital. Anyhow, regional agencies are being very canny and beginning change their business model – positioning digital at the heart of planning with other comms as channels in. To have a future, you need to know how to plan for digital. I think that's still about having ideas people want to spend time with, but you have learn how to get out of messaging planning and into experience planning. That also means you get to work with bigger clients with bigger spend. I'm lucky enough to work on global stuff with Ogilvy and national stuff with Mother because I do the digital bit. Digital is far more regional neutral than anything else.

    2. So that means you'll need to free up your inner geek. Make friends with developers, read Clay Shirky, read Mashable, know what it cool. Get post digital – understand the latest thinking on how we use the internet now we've forgotten it's there. But become the bridge between geekdom and creativity – be the person that can translate and simplify the amazing choice out there into something creatively potent – don't do anything because it's cool, do it because it will surprise and delight.

    3. That, in turn, means getting good at comms planning. Understand how different media will and should fit together. Know how and why people are using mobile internet, when you should build a website or just create a conversation around Facebook. Media planning out in th sticks is poor – it's really just buying. Clients either go to London, or look to their creative agency. You don't want to be out gunned by a really good London media planner and you don't want to lose the chance to add value by doing something no one else in your region can do well.

    4. This means going back to the origins of true planning – being the voice of the consumer rather than a 'shrill for the work'. Clients want evidence, and lower budget clients want even more evidence if they're going to take risks. So go beyond the usual stuff about brand consideration etc, know your audience as humans. You need to create proper dialogue. Don't believe that bollocks about becoming what people are interested in, brands are not that important and you don't work on Nike, but you become part of the interesting conversation and HOUSE them. So know what REALLY makes people tick – no one does that really well out here.

    5. All the above is the theme of becoming indispensable. It never stops out here, you're a luxury, you're added value. You need to become someone they can't afford to get rid of. Never stop looking for ways to be useful – be flexible, do things you think London planners would consider beneath them – do dirty qual, even better, get really good at cheap quality qual – go out and meet people involved in the subject your working on. Become an amateur behavioral economist, invent new techniques.

    6. Don't get precious. Any planner anywhere needs to surrender their ego, but out here, don't got all huffy about best practice, don't expect anyone to understand what you mean by transmedia planning – and it's not their fault, it's yours. Take all that amazing stuff you know, you might have done or seen others doing and re-purpose it for your agency or your clients. Make it usable. Don't expect agency culture to fit around you.

    7. That said, don't give in. Champion great thinking – don't take the easy option, don't just surrender to creatives who live in their own little bubble. Just don't be a wanker about it, don't be an elitist idiot, find a way to make people want to do it right, want to push things. Like any communication, find the right buttons to push.

    8. Get to know everyone. Planning's a tiny community, you need to know as much of it as you can. Choices are not massive, but you still want to move around a bit – new challenges but also finding a culture that fits you and your life stage a little bit.It's so much easier when you can email or pick up the phone to people you know.

    9. That also means don't piss people off – it's too small an industry, especially our bit of it. I wish I'd been less headstrong in the past (and not too recent past) always leave on good terms, never take the opportunity to snipe, remember everyone can see what you post on Twitter.

    10. Get good and known for something unique in your locality. That may be a brilliant qualy side, it may be you as a workshop demon (oh yes, get good at workshops – always invaluable, despite the fact you might, like me, hate them – clients love them and love you for doing them – great way of making people think they thought of stuff), not just 'I'm good at digital'.

    Hope that helps, might have convinced you to get a job in London or abroad, but better you know that now! Oh, and if you're under 25, go to Asia or Australia for a bit, it will be ace and you'll regret it if you don't (I do).

  • Rule 1. Do not forget SatNAv.

    Rule2. If the traffic is gridlocked, do not take a diversion or you get 3 idiots lost in the midlands, in the dark.

    Lost
    Rule 3. Ignore hotel key cards masqerading as fortune cookies.

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    Rule4. Do not talk to famous people until you are sure they are real.

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     Rule 5. Free your mind, but don't forget to thank the client for the props.

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  • Following on from this post about need to ask advice no matter how good you think your are, here's an excellent (old) article from the New York times about the danger of praise.

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    As a father, it's good to know that praising a child's results makes actually harms them in long term, creating unrealistic expectations for themselves and eventually making them lazy – while praising effort means they never feel demolished by doing bad and learn to love trying hard.

    This has something to teach our industry's star system. Most agencies has a few untouchable golden children who cannot be questioned – usually because they've won an award – something that praises how clever you were, not how hard you tried, and end up over indulged, un-collaborative and intellectually lazy.

    Star systems work against true success, which usually comes from a shared, communal working environment (think Ghana's football team V England's Golden generation)- to quote Gladwell in this article which you should read, about how the talent system brought down Enron, "If you always have to think outside the box, it's time to fix the box"

  • The training for the Great North Swim hit a snag a few weeks back. I couldn't go any faster.

    There was a point where I was getting pretty good, and had a lot more speed in me, but technique was letting me down. There had been something before but this was worse.

    There's a point where flaws in the basics will show, no matter how hard you paper over the cracks – and that's where I was. I even started to go backwards, thinking so hard about my stroke, I was getting too tense and adjusting other bits to compensate. From something going wrong with my right arm, my left arm went wrong and then even my kick started to go all floopy (non-technical term).

    2010 060

    Nothing for it, I went to my first professional coaching session in over 20 years. And within half an hour, found the problem was with my head. By simply looking forward another 20 degrees, that created the space for arm to enter the water at the right point, which sorted my pull through, which sorted my breathing, which sorted my balance, which sorted my legs. Next thing I know, I'm cutting through the water like I used to.

    The problem is, I've lost a lot of time, so I have to redouble training efforts. Muscles are annoying things – they get used to working in a certain way and have to be taught to forget what they know. That's why any swimmer isn't allowed to push themselves to the limit in training until their technique is sound – when you get tired, your stroke breaks down and the muscles remember to work that way.

    So right now, I'm training them to remember to work how the should, no matter how tired they get. It's taking patience, but we're almost there.

    In work, that's how you should approach strategy and the work that arises from it I(see what I did there).

    It's no good glossing over a slight weakness in the creative brief, or something that doesn't chime in the work. As things progress, it will turn into something major. It needs to be watertight, it needs to be picked up, shaken around and given a general good kicking before you're confident you can move on. A general 'it'll be all right will just get you no where. Anyway..

    It was wierd, but nice to go back to a really serious swimming setting. In proper pool that's deep enough to not make waves when proper swimmers do there stuff. To dive off proper blocks again. I'm sure just dipping back into that atmosphere made as much difference as the coaching – but nevertheless, there's only so much you can do on your own, no matter how good (or bad) you are, you should never be arrogant enough to think you have nothing left to learn, or someone else cannot help you.

    Coming back to work again, ALWAYS talk your thinking through with someone else – you hear your words from their point of views and the holes become apparent very quickly – it's something to do with mirror neurons (similar to playing a killer song to a mate and hearing it through their ears and realising it's not so good).

  • 6a00c2251c2d878fdb00d4141ad48d685e-200pi 

    It's obvious, but then how often do you really leave your desk, rather than bang your head against your computer screen?

    Article from PFSK.

    Picture from Russell

     

  • Some pizza marketing stuff about getting people to tell share why they deserve a free pizza elicited this post:

    "Im disabled and it would be a nice treat for my husband as hes my carer"

    Sometimes it only takes few words to show you what the real point to life is, and it's not marketing.

    Just a few words to make you feel human again, to make you hope someone you've never met is happy, to cheer them on. To feel incredibly lucky yourself.

    To imagine how much these two people love each other, it makes you feel good about people and the bravery and quiet joy that's found in the way people navigate their daily lives.  Or that's how it makes me feel anyway. Isn't love and companionship brilliant?

    As you may have guessed, I'm feeling a little emotional today. My family is 400 miles away and I miss them.

  • Door 
    5 months into the new job, I still don't know. It lurks menacingly between the ladies and the kitchen. Where do the steps lead?